New Terrain: 21st-Century Landscape Photography

April 6, 2024–July 7, 2024

Thank you for your interest in the Worcester Art Museum’s exhibition, New Terrain: 21st-Century Landscape Photography. The following images are available for press distribution. Please note specific caption information and image restrictions accompanying the images.

For more information about New Terrain: 21st-Century Landscape Photography or to arrange a press visit or interview, please contact pr@worcesterart.org.

View the Press Release

Wu Chi-Tsung, Cyano-Collage 191, 2023, cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on wooden board — Wu Chi-Tsung, *Cyano-Collage 191,* 2023, cyanotype photography, Xuan paper, acrylic gel, acrylic, mounted on wooden board. © Wu Chi-Tsung Studio. Courtesy: the Wu Chi-Tsung Studio and Sean Kelly, New York/Los Angeles

Adam Ekberg, Lawn Chair Catapult, 2017. archival pigment print — Adam Ekberg, *Lawn Chair Catapult,* 2017. archival pigment print. Courtesy of the artist and CLAMP, New York.

Julian Charrière, Buried Sunshines Burn | HZK.B4P, 2023. Heliography on high-polished stainless steel plate, aluminum sub -frame, stainless steel frame, museum glass — Julian Charrière, *Buried Sunshines Burn | HZK.B4P,* 2023. Heliography on high-polished stainless steel plate, aluminum sub -frame, stainless steel frame, museum glass. Courtesy of the artist and Sean Kelly, New York/Los Angeles.

Meghann Riepenhoff, Littoral Drift #3 (Rodeo Beach, CA), June 13, 2013, cyanotype diptych on wove paper — Meghann Riepenhoff, *Littoral Drift #3 (Rodeo Beach, CA),* June 13, 2013, cyanotype diptych on wove paper, Funded by the Douglas Cox and Edward Osowski Fund for Photography in memory of Robert A. Royka (1933–1996) and in honor of Margaret Kent Royka, 2015.44

David Maisel, Terminal Mirage #12, 2005. Chromogenic print sheet — David Maisel, *Terminal Mirage #12,* 2005. Chromogenic print sheet: 121.9 x 121.9 cm (48 x 48 in.) frame: 128 x 128 cm (50.40 x 50.40 in.) Gift of David Maisel, 2005.220

Dawoud Bey, Untitled #19 (Creek and Trees), 2017. Gelatin silver print. Courtesy of the artist and Sean Kelly, New York/Los Angeles.

Tabitha Soren, Katie’s Vacation Photo, 2018, archival inkjet print — Tabitha Soren, *Katie’s Vacation Photo,* 2018, archival inkjet print, Chapin Riley Fund at the Greater Worcester Community Foundation, 2021.94 © Tabitha Soren 2024

Matthew Brandt, Lake Dillon, CO 1, 2011. Chromogenic Print soaked in Lake Dillon water — Matthew Brandt, *Lake Dillon, CO 1,* 2011. Chromogenic Print soaked in Lake Dillon water. © Matthew Brandt, Courtesy of Yossi Milo, New York

Sarah Sense, A Plan of Boston, 2023, woven archival inkjet prints with tape on Hahnemuhle bamboo paper on white board — Sarah Sense, *A Plan of Boston,* 2023, woven archival inkjet prints with tape on Hahnemuhle bamboo paper on white board, Chapin Riley Fund at the Greater Worcester Community Foundation, 2023.35

Yael Eban and Matthew Gamber, Metamorphic (4), 2022. Gelatin silver photogram — Yael Eban and Matthew Gamber, *Metamorphic (4),* 2022. Gelatin silver photogram. Courtesy of the artist.

View the exhibition page for New Terrain: 21st-Century Landscape Photography