Frontiers of Impressionism

Explore the evolution and expansion of impressionism, an artistic movement that changed the trajectory of art history. Frontiers of Impressionism chronicles the emergence of impressionism in 19th-century France, its subsequent expansion to much of Europe and the United States, and the lasting changes the movement has brought to the art world. Framed through the lens of the Worcester Art Museum’s collection of impressionist works, many of which were acquired when these artists were still living, the exhibition highlights over 30 artists, including Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Mary Cassatt, Childe Hassam, and Max Slevogt. Approximately half of the works in the exhibition are on view for the first time in decades.

Frontiers of Impressionism demonstrates firsthand the qualities that defined impressionist painting: a dedication to capturing on canvas what the eye perceives, an inclination to painting en plein air (outdoors), and an adherence to a painterly technique characterized by lighter, looser brushwork. Move through the exhibition’s six sections, which group artworks to investigate the revolutionary roots of impressionism and the emergence of landscape as a rupture to the hierarchy of genres, Paris as the epicenter of impressionism, networks of impressionism and the expansion of styles throughout Europe and the United States, the distinctly American impressionism, how artists defied the limits of impressionism, and the use of impressionism in capturing the frontier of the American West.

After its debut in Worcester, the exhibition will tour internationally, starting at the Tampa Museum of Art (September 8, 2023–January 7, 2024), then to the Tokyo Metropolitan Art Museum (January 26–April 7, 2024), followed by additional locations to be announced.

Frontiers of Impressionism is curated by Claire C. Whitner, the Worcester Art Museum’s Director of Curatorial Affairs and the James A. Welu Curator of European Art and Erin Corrales-Diaz, the Museum’s former Assistant Curator of American Art, who now serves as the Curator of American Art at the Toledo Museum of Art.

This exhibition is generously supported by the Fletcher Foundation. Additional support is provided by the Pollack PEACE Fund. This project is also funded in part by the Ruth and John Adam, Jr. Exhibition Fund, Richard A. Heald Curatorial Fund, Michie Family Curatorial Fund, and the Christian A. Johnson Exhibition Fund. Related programming is supported by the Amelia and Robert H. Haley Memorial Lecture Fund and the Spear Fund for Public Programs. Media partner: WBUR.