Featured above: Alphonse Mucha, JOB, 1896, color lithograph on cream wove paper, Gift of Dr. Lawrence M. Epstein and Ms. Jeanne Griffin, 2007.174, from Leisure, Pleasure, and the Debut of the Modern French Woman, May – September 2011.
2021
| The Iconic Jersey: Baseball x Fashion | June 12 – September 12, 2021 |
| The Kimono in Print: 300 Years of Japanese Design | February 6 – May 2, 2021 |
2020
| Nature Imagined by Susan Swinand | October 1, 2020 – Feburary 7, 2021 |
2019
| Beyond Midnight: Paul Revere | February 15 – November 8, 2020 |
| Photo Revolution: Andy Warhol to Cindy Sherman | November 16, 2019 – February 16, 2020 |
| With Child: Otto Dix / Carmen Winant | September 21 – December 15, 2019 |
| Travels with Hiroshige | February 23 – May 26, 2019 |
| Monet's Waterloo Bridge: Vision and Process | January 25 – April 28, 2019 |
2018
| Preserved Pages: Book as Art in Persia and India, 1300–1800 | October 13, 2018 – January 6, 2019 |
| The Poetry of Nature: Hudson River School Landscapes from the New-York Historical Society | September 8 – November 25, 2018 |
| Radiance Rediscovered: Stained Glass by Tiffany and La Farge | June 30, 2018 – December 1, 2019 |
| Exploring the Myths of James Dye | April 7 – September 2, 2018 |
| The Mystery of Worcester's Leonardo | March 10 – June 3, 2018 |
| Dangerous Liaisons Revisited | January 20 – April 22, 2018 |
2017
| Last Defense: The Genius of Japanese Meiji Metalwork | September 13, 2017 – September 2, 2018 |
| Rediscovering an American Community of Color: The Photographs of William Bullard | October 14, 2017 – February 25, 2018 |
| Coming Away: Winslow Homer and England | November 11, 2017 – February 4, 2018 |
| Reusable Universes: Shih Chieh Huang | June 24 – November 12, 2017 |
| John O'Reilly: A Studio Odyssey | May 13 – August 13, 2017 |
| Jeppson Idea Lab: Master Vases from Ancient Greece | April 5, 2017 – August 11, 2019 |
| Highest Heaven: Spanish and Portuguese Colonial Art from the Collection of Roberta and Richard Huber |
March 11 – July 9, 2017 |
2016
| KAHBAHBLOOOM: The Art and Storytelling of Ed Emberley |
November 2016 – April 2017 |
| Picket Fence to Picket Line: Visions of American Citizenship |
October 2016 – February 2017 |
| THE BEAUTY OF TYRANNY | October – December 2016 |
| Facing the World: Modernization and Splendor in Meiji Japan |
September 2016 – April 2017 |
| Blood and Honey | June – November 2016 |
| Meow: A Cat-Inspired Exhibition | May – September 2016 |
| Jeppson Idea Lab: The Art of Combat | May – September 2016 |
| The Last Judgment Tapestry | April – September 2016 |
| Cyanotypes: Photography's Blue Period | January – April 2016 |
2015
| Nature Unfolded: Korean Art from the Collection | December 2015 – April 2016 |
| Jeppson Idea Lab: Olmec Incised Standing Figure | November 2015 – April 2016 |
| Hassan Hajjaj: My Rock Stars | November 2015 – March 2016 |
| Pierre Bonnard, Dining Room in the Country | October 2015 – June 2016 |
| Static Variations: Blue x 2 by Terri Priest | October 2015 – January 2016 |
| Veiled Aleppo | September 2015 – June 2016 |
| The Baskets of Hayakawa Shokosai III | August – December 2015 |
| American Folk Art, Lovingly Collected | July – November 2015 |
| Nagasawa Rosetsu, Bamboo | May – August 2015 |
| Samurai! | April – September 2015 |
| Jeppson Idea Lab: Portrait of a Man by Anthony van Dyck |
March – October 2015 |
| Uncanny Japan: The Art of Yoshitoshi | February – May 2015 |
| Raphael: The Cowper Madonna | January – September 2015 |
| A Screen for the New Year: Pines and Plum Blossoms | January – May 2015 |
2014
| Africa's Children of Arms | November 2014 – September 2015 |
| Norman Rockwell | November 2014 – February 2015 |
| Polly Apfelbaum – Nevermind: Works from the 90s | October 2014 – March 2015 |
| KNIGHTS! | September 2014 – November 2016 |
| Perfectly Strange | September 2014 – January 2015 |
| Rembrandt and Steen: Loans from the Leiden Gallery | August 2014 – August 2015 |
| Jeppson Idea Lab: Portraits by William Hogarth | July 2014 – February 2015 |
| Abstractions in Blue: Works from the Wise Collection | June 2014 – January 2015 |
| KNIGHTS! | March 2014 – November 2016 |
| Guns without Borders in Mexico and Central America | March – November 2014 |
| New acquisitions (photos by LaToya Ruby Frazier) | through July 2014 |
| “Majicolor” Prints by Majima Ryoichi | February 2014 – November 2014 |
| Jeppson Idea Lab: Michael Benson | January – June 2014 |
2013
| You Are Here | December 2013 – August 2014 |
| Works in Process: from Proof to Print | December 2013 – April 2014 |
| Chinese Personal Adornments | September 2013 – February 2014 |
| Five Works by Three Generations of Yoshida Family Artist |
August 2013 – January 2014 |
| Winogrand's Women Are Beautiful | August – November 2013 |
| Orantes: Ancient Statues from South Italy | June – December 2013 |
| Looking West and Looking East Landscape Prints by Yoshida Tōshi (1911-95) |
June – November 2013 |
| Nancy Spero: Cri du Coeur | May – October 2013 |
| Portrait Photographs of Artists | May – July 2013 |
| The Allure of Blanc de Chine | February – August 2013 |
| Silent Gardens The "White-line" Print Series by Yoshida Tōshi (1911-95) |
January – July 2013 |
| Charline von Heyl | November 2010 – March 2013 |
2012
| Bostonians in Miniature Portraits and Lives, 1810-1835 |
December 2012 – September 1, 2013 |
| Looking at the Stars Prints by Imamura Yoshio (Japanese, b. 1948) |
December 2012 – May 2013 |
| Prints by Georges Rouault | December 2012 – March 2013 |
| Jill Slosburg-Ackerman – In Rome: The Pine Grove. And. Natura naturans; natura naturata. | November 2012 – March 2013 |
| 20th Century American Drawings | October – December 2012 |
| Kennedy to Kent State: Images of a Generation | September 2012 —June 2013 |
| Spotlight on Maki Haku (1924-2000) | July 2012 – January 2013 |
| Pilgrimage to Hokusai's Waterfalls | May – November 2012 |
| Small Porcelain Luxuries from China | March – August 2012 |
| Carrie Moyer: Interstellar | February – August 2012 |
| Eight Views of the Ryūkyū Islands | February – July 2012 |
2011
| Ladies of the House Portrait Miniatures of Women from the Permanent Collection |
December 2011 – May 2012 |
| In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New Orleans |
December 2011 – May 2012 |
| Hymn to the Earth: Photographs by Ron Rosenstock | December 2011 – July 2012 |
| Rest Elsewhere: Netherlandish Mannerist Prints | October – December 2011 |
| More Than Face Value Non-Traditional Subjects in American Miniature Painting |
June – November 2011 |
| The Strange Life of Objects: The Art of Annette Lemieux | April – October 2011 |
| Leisure, Pleasure, and the Debut of the Modern French Woman | May – September 2011 |
2010
| Dandies | November 2010 – May 2011 |
| Goya and the Bullfight | December 18, 2010 – April 17, 2011 |
| Édouard Manet's The Dead Toreador | September 25, 2010 – March 20, 2011 |
| Place as Idea | October 9, 2010 – February 20, 2011 |
| Portrait Photographs | August 21 – November 28, 2010 |
| Minimalism: Logic Structure in the Graphic Arts | April 10 – July 11, 2010 |
| Selections from Who Shot Rock & Roll: A Photographic History, 1955 to the Present | March 7 – May 30, 2010 |
2009
| What Matters | December 19, 2009 – August 22, 2010 |
| Twelve Zodiacal Animals | July 11, 2009 – May 30, 2010 |
| A Miniature Milestone: The Marianne E. Gibson Portrait Miniature Gallery at 20 | December 2, 2009 – April 8, 2010 |
| Intaglio: Italian Etchings and Engravings | November 21, 2009 – March 7, 2010 |
| Bound by Fashion: The Corset in European Art | September 16, 2009 – January 10, 2010 |
| Printmaking Methods | Relief | June 27 – October 18, 2009 |
| Rona Pondick: The Metamorphosis of an Object | April 18 – October 11, 2009 |
| Spies Like Us! Nathan Hale and Major André | June 5 – September 20, 2009 |
| Beyond: Visions of Planetary Landscapes | March 28 – May 24, 2009 |
2008
| Wall at WAM: “Actions Speak,” THINK AGAIN (David John Attyah and S.A. Bachman) | October 30, 2008 – October 17, 2010 |
| Heavenly and Earthly Delights: An exhibition in two parts | May 10, 2008 – June 7, 2009 |
| Watercolor—Bodycolor | December 20, 2008 – March 1, 2009 |
| Human Nature(s) | November 15, 2008 – February 15, 2009 |
| Sepia Memories: Nineteenth-Century Photographs | August 30 – November 30, 2008 |
| Wall at WAM: Alexander Ross | March 22, 2007 – September 2008 |
| Two Chinas: Chen Qiulin and Yun-Fei Ji | March 8 – September 21, 2008 |
| Inky Tributaries: Contemporary Chinese Prints | May 10 Through August 3, 2008 |
2007
| Textile Heirlooms of the Indus Valley | September 14, 2007 – May 11, 2008 |
| An American Vision: Treasures from the Winterthur Museum | November 4, 2007 – April 6, 2008 |
| Abstract Expressionist Prints | December 22, 2007 – March 30, 2008 |
| Paragons of Fashion: Early Nineteenth Century Japanese Woodblock Prints of Beauties | September 15, 2007 – March 2, 2008 |
| Martha Rosler: Bringing the War Home | September 22, 2007 – January 13, 2008 |
| Printmaking Methods/Stencil | September 8 – November 25, 2007 |
| Random Sketches from Here and There: Gouache Drawings by Gustave Baumann | April 28 – July 29, 2007 |
| Ed Ruscha/Raymond Pettibon: The Holy Bible and THE END | April 7 — May 27, 2007 |
2006
| Mountain Harvests: Chinese Jades and Other Treasured Stones | March 4, 2006 – June 17, 2007 |
| La Belle Epoque: Works on Paper, 1885-1915 | December 16, 2006 – March 18, 2007 |
| Wall at WAM: Jim Hodges “Don't Be Afraid” | April 16, 2004 – Spring 2007 |
| Louise Bourgeois: The Woven Child (in context) | October 21, 2006 – February 25, 2007 |
| Mi Puerto Rico: Master Painters of the Island, 1780-1952 | October 8, 2006 – January 14, 2007 |
| Horrors of War | September 9, 2006 – November 26, 2006 |
| Surrealist Works on Paper | May 6 – August 19, 2006 |
| David Thorpe: A Meeting of Friends | April 7 – August 13, 2006 |
| Biographical Landscape: The Photography of Stephen Shore, 1968—1993 | March 26 – June 25, 2006 |
2005
| New to View: Recent Acquisitions in Photography | December 17, 2005 – April 15, 2006 |
| Frontiers: Collecting the Art of Our Time | November 13, 2005 – February 12, 2006 |
| Pillar-Print Masterpieces: Narrow Glimpses into Japanese Life, Legends, and Literature | August 27, 2005 – January 21, 2006 |
| AFTERBURN—Willie Cole: Selected Works, 1997-2004 | November 13, 2005 – January 7, 2006 |
| Egyptomania: Modern Fascination for and Ancient Civilization | September 17 – November 27, 2005 |
| Hope and Healing:Painting in Italy in a Time of Plague | April 3 – September 25, 2005 |
| Jodie Manasevit: Just Painting | May 13 – August 21, 2005 |
| Printmaking Methods/Lithography | April 30 – July 31, 2005 |
| Evoking Rasa in Luminous Visions: Indian Art from the Herwitz Collection | February 26 – July 17, 2005 |
2004
| Lily van der Stokker | November 18, 2004 – April 3, 2005 |
| Rococo: French 18th-Century Prints | December 19, 2004 – March 20, 2005 |
| Modern Japanese Prints from the Permanent Collection | August 6, 2004 – January 23, 2005 |
| Photography at the Worcester Art Museum: Keeping Shadows | October 10, 2004 – January 2, 2005 |
| Japanese Masters of Mezzotint: Yozo Hamaguchi and Katsunori Hamanishi | September 6 – November 28, 2004 |
| How Sculptors See | April 8 – October 10, 2004 |
| An American Impressionist: Joseph H. Greenwood | March 6 – August 8, 2004 |
| Birds in Japanese Art and Poetry | February 21 – July 16, 2004 |
| Paths to Impressionism: French and American Landscape Paintings | October 4 – June 27, 2004 |
| Wall at WAM: Julian Opie | April 2002 – March 2004 |
| Glexis Novoa | October 18, 2003 – February 22, 2004 |
2003
| Printmaking Methods: Etching | December 20, 2003 – February 8, 2004 |
| A Gift of Light: Photographs in the Janos Scholz Collection | September 6 – November 30, 2003 |
| Richard Yarde: Ringshout | June 7 – September 21, 2003 |
| English Color Prints | May 17 – August 10, 2003 |
| Samurai Spirit | April 4 – June 22, 2003 |
| Ambreen Butt | March 1 – May 11, 2003 |
| Flora in Winter | February 6-9, 2003 |
2002
| The Harlem Renaissance and It's Legacy | January 18, 2002 – April 13, 2003 |
| Mask or Mirror? A Play of Portraits | October 6, 2002 – January 26, 2003 |
| Norman Bluhm Drawings | October 19 – December 22, 2002 |
| Printmaking Methods/Engraving | June 8 – September 15, 2002 |
| Tony Feher: Maybe/Enjoy | April 26 – August 11, 2002 |
| Weegee's World: Life, Death, and the Human Drama | April 5 – June 2, 2002 |
| Collective Images: The Sketchbooks of John Steuart Curry | February 23 – May 5, 2002 |
| Staged! Contemporary Photography by Gregory Crewdson, Rosemary Laing, and Sharon Lockhart | December 15, 2001 – March 24, 2002 |
2001
| Dressing Up: Photographs of Style and Fashion | November 10, 2001 – January 20, 2002 |
| Modernism and Abstraction: Treasures from the Smithsonian American Art Museum | October 7, 2001 – January 6, 2002 |
| Lewis deSoto | September 1 – November 18, 2001 |
| In Color: Recent Acquisitions of American Prints | July 28 – October 7, 2001 |
| Jennifer Reeves | April 28 – August 5, 2001 |
| The Stamp of Impulse: Abstract Expressionist Prints | April 22 – June 17, 2001 |
| Lewis Wickes Hine: The Final Years | April 1 – June 10, 2001 |
| Denise Marika: Unearthed | April 5 – June 3, 2001 |
| Paul Revere: Artisan and Patriot | April 17, 2000 – April 22, 2001 |
| Chuck Close | December 9, 2000 – March 25, 2001 |
| Wall at WAM – Annette Lemieux “Two Vistas” | January 19, 2000 – March 1, 2001 |
| Fresh Woods and Pastures New: 17th-Century Dutch Landscape Drawings from the Peck Collection | December 16, 2000 – February 25, 2001 |
| Antioch: The Lost Ancient City | October 8, 2000 – February 4, 2001 |
2000
| Insight: Photographs from the George Eastman House | September 16 – November 16, 2000 |
| Painting Pushed to Extremes | July 15, 2000 – November 12, 2000 |
| Face to Face: Artists and Their Work | July 15, 2000 – September 3, 2000 |
| Linda McCartney's Sixties: Portrait of an Era | May 6, 2000 – July 2, 2000 |
| Blowup: Recent Sculpture and Drawings by Heide Fasnacht | April 2, 2000 – June 11, 2000 |
| Robert Capa: Photographs | April 2, 2000 – June 5, 2000 |
| Pissarro and Other Masters: The Stoddard Legacy | February 19, 2000 – April 17, 2000 |
| Outlook: Collecting the Contemporary | September 25, 1999 – February 20, 2000 |
| Hiroshige: 53 Stations on the Tokaido | October 30, 1999 – January 16, 2000 |
| Alphonse Mucha: The Spirit of Art Nouveau | October 16, 1999 – January 2, 2000 |
| Worcester's Community Mosaic | September 16, 2000 – Ongoing |
Pre-2000
| Terrific Tokyo: A Panorama of Prints | April 17 – July 4, 1999 |
| All that is Glorious Around Us: Paintings from the Hudson River School | March 13 – June 27, 1999 |
| Urban Visions | February 27 – May 2, 1999 |
| A New England Home: Prints by Currier & Ives | November 1, 1998 – January 3, 1999 |
| My Favorite Work of Art Exhibition | November 22, 1997 – December 31, 1998 |
| Previous Wall Project | July 1, 1998 – December 31, 1998 |
| Building and Form: Ansel Adams & Architecture | August 15 – October 18, 1998 |
| Master & Remarkable Drawings | April 18 – June 21, 1998 |
| European Color Prints: 1500-1900 | April 11 – June 14, 1998 |
| Tape Art Mural | April 15 – May 10, 1998 |
| Winslow Homer: By Land and By Sea | January 25 – March 22, 1998 |
| American Impressionism | October 5, 1997 – January 4, 1998 |
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